Produced by Frank Dukes and Louis Bell, who also helmed Post Malone’s “Better Now,” the song is pretty and poignant, and Higgins offers some perspective on his whirlwind rise that feels fresh. “Fast” is perhaps the track with the most potential to usurp “Lucid Dreams” as Juice WRLD’s biggest hit. “Robbery” – which Higgins partially sings in a drunken, dejected slur – is endearingly unhinged, even if the stickup metaphor at its center is a bit muddled. The album starts strong with “Empty,” a wayward anthem produced by his regular collaborator Nick Mira, who surrounds Higgins with somber piano. When Higgins does lean fully into his inner crestfallen crooner, it yields some of the catchiest tracks and strongest melodies of his catalog to date, proving that he’s continued to improve as a writer.
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